Writing and Publishing News from

February 23, 2011

No Two Publishing Experiences Are the Same

Filed under: Book Promotion,Platform — Patricia @ 5:49 am

So you have published your SECOND book—congratulations. Since you’ve already had experience bringing a book into the marketplace, promoting this one should be a slam dunk, right? Not necessarily. If the book is different, most likely the promotional activities around it will need to be readjusted.

Let’s say that your first book is a how-to book for realtors who want to increase their sales. And your second book is a novel. These are very different books with a widely different audience. Sure there could be some crossover—some of your real estate customers might be interested in a period novel. So be sure to use the customer-base mailing and emailing lists you have accumulated to promote it. But beyond that, your marketing tactics and strategies for the second book may send you on a completely new path.

Your business book sales might rely more on face-to-face connections—in workshop and speaking environments, for example. You might sell a lot of copies of this book through articles and ads in regional real estate magazines, through local board offices and at sales meetings for real estate personnel, for example. You novel sales might rely more on book reviews, word-of-mouth, your interactive website and your name recognition through stories published in major genre publications.

If your first book was a young adult fantasy, you probably sold copies through pretty much the same channels as you would the novel. You may have added school visits and book parties designed to entice teens at bookstores and other venues. But now you have come out with a book on creative writing for publication. You have a different audience—again, sure there could be some crossover, so don’t toss out any viable promotional ideas. But you’ll also need to go where your new audience is—writing sites, writers’ magazines, writers’ conferences and club meetings, etc.

In some cases, you’ll need strong speaking, communication and teaching skills in order to promote your book. You might use a lot of creativity in your promotional strategies and your readers might be easy to locate and approach. In others, you must reach far and wide to find your readers and use unique tactics to entice them. Your niche might be small and easy to approach or widespread and difficult to discover.

This is just one more reason why you should be thinking about your promotional plan and building your platform before you finish writing the book.

I received a Google Alert today reflecting a question that came across the Yahoo Ask site. It is a question that comes up often at these sites: “I want to write a book how will I find a publisher?” The answers most generally are, “Just write. Wait until you’re finished and then look for a publisher.”

Unfortunately, this is the attitude of many inexperienced writers—at least writers who are new to publishing. And it is so, so wrong. In order to enter into the highly competitive publishing arena, you must know something about the industry and become familiar with other books on the topic/genre and how they are being presented. And you really should have an idea of who is publishing material like yours and what the current criteria is. What you learn may change the focus of your book. And that can be a good thing.

If you haven’t already done so, please sign up for my newest online course—Build Your Platform. http://www.matilijapress.com/course_platform.htm This could be your ticket to publishing success.

You could do what way too many new authors do: go ahead and finish writing your book, hire a pay-to-publish company to produce it and pay way too much money and then begin to flounder around trying to figure out how to handle promotion.

Or you could spend time learning something about the publishing industry, all of your options, the possible consequences of your choices and your responsibilities as a published author—yes, you have some serious responsibilities as a published author. You could take this course and prepare yourself for the world of publishing and book promotion and give yourself a much better chance of succeeding.

Which way do you want to go?

February 22, 2011

Promote the Book You’re Writing NOW

Filed under: Book Promotion — Patricia @ 6:04 am

Are you in the process of writing a book? What are you doing to promote that book?

I’m serious. In this fiercely competitive publishing climate, book promotion isn’t something you engage in as an afterthought. It is not something you put off until you are holding your book in your hands. It is such a major part of producing a book that it should be one of the first (not last) things you consider when you decide to write a book for publication.

What can you do to promote your book before your book is a book?

• Talk about your upcoming book everywhere you go so people will already have a mindset to purchase it when it comes out.

• Start compiling a massive mailing and emailing list. Collect business cards from everyone who expresses an interest in your book. Add in your former classmates, hairdresser, teachers at your children’s schools, coworkers, clients/customers, neighbors, former neighbors, shirttail relatives, email list, everyone in your Rolodex and so forth.

• Build promotion into your book by including other people and agencies where appropriate (interview them, quote them, list them in the resources section, list recommended books…).

• Make your novel appeal to a wider audience by giving one of your characters a horse, autism or a brain injury, for example. Give more appeal to a nonfiction book by bringing in additional aspects of your topic—add a section on senior dating to your relationship book, for example. Include a chapter featuring indoor crafts in your book of summer activities for children.

• Build a website. When I work with authors on their book proposals, I notice that often they write, “I plan to build a website to promote this book.” I say to them, “Build it now!” And this is what I urge you to do.

• Become known within your genre/topic by submitting stories/articles to appropriate publications. (Sign up this week for my online Article-Writing course. It’s not too late.) http://www.matilijapress.com/course_magarticles.htm

• Go out and speak on your topic. The point of submitting articles and doing some workshops or public speaking is to become known as a credible expert in your topic or an entertaining writer in your genre. So what if you don’t have a book, yet. You will within the year (public interest will help keep you motivated). During presentations, have a sign-up sheet and collect names to add to your mailing/emailing list. And offer a handout related to your book.

• Listen to your audience members. One reason why you want to do some public speaking
now is to become acquainted with your audience. You’ll find out what they want. You’ll get some excellent ideas for tweaking your book. You may discover some great resources. Networking during the writing process is always a good idea.
There you have 8 things that you can be doing NOW to help make your book the success that you dream of.

For additional assistance with your project, check out my array of books for authors:
http://www.matilijapress.com

Sign up for a course—you will be soooo glad you did:
http://www.matilijapress.com/courses.htm

Visit my personal website and check out my author services. If you are pleased with what you find in this blog every day, just imagine how much you could gain from my courses and services:
http://www.patriciafry.com

February 21, 2011

Let Me Help You Develop a Powerhouse Author’s Platform

Filed under: Authorship,Publishing — Patricia @ 5:48 am

There seems to be quite a bit of interest in my newest course—Establish Your Author’s Platform. And this is as it should be. Authors, in this highly competitive publishing environment, MUST have a solid platform in order to experience success with their published books.

What happens if you don’t have a platform?
• Your potential readers won’t know about you or your book.

• When someone finds out about your book, they may not consider you credible and will not purchase it.

• Your attempts at promotion will fizzle.

• Your book will fail.

• You will lose money.

Now that’s a grim prediction, but an accurate one. Think about it, if you don’t have a following or a way of attracting readers, who is going to know about your book and buy it? If you do not continuously work to build your credibility in your field or genre, who will learn about you and want to read your book? If you keep yourself and your book hidden from the public eye, how will people find it? Here are the facts:

• Most of you have a platform, but you need help in recognizing it. Through this course, you will discover it.

• There are tons of things you can and should do in order to strengthen your platform—to build it into a powerhouse platform. This course will help you do that.

• Few of you know how to present yourself even when you have an impressive platform. You will learn valuable techniques through this course.

An author without a platform is like a merchant without a storefront or a play without actors. You may have a good book, but no way to entice your audience.

If you are planning a book, you should already be taking steps to build your platform. If you have a published book, and it is pretty much at a standstill, it is crucial that you get going on establishing and building a stronger platform immediately. Even if your book is a year or more old, if it isn’t selling as well as you think it should, perhaps your platform is lacking.

If you need help with your stalled book or if you are in the writing stages of a new book, consider signing up for my newest course and let me show you how to Establish Your Author’s Platform. http://www.matilijapress.com/course_platform.htm

Questions? PLFry620@yahoo.com

February 20, 2011

How to Design Your Author’s Platform

Filed under: Announcements,Authorship,Book Promotion — Patricia @ 5:58 am

I’ve added a new course to my repertoire!! And it’s one that countless authors can use.

You’ve heard the term “platform,” and you’ve heard that this is something authors need. But some of you are still wondering exactly what it is, why you need one and how to get one. Here’s the scoop:

In this highly competitive publishing arena, not only is it necessary for the author to adopt bookselling strategies, he must groom himself as a representative for his book. He must back up his book with the appropriate elements of influence. How? By establishing a platform and continuously building on it.

A large majority of traditional royalty publishers require that their authors have a platform—a following, connections, a sphere of influence and name recognition within the genre/topic of their book. A publisher wants to know that you can attract readers for your book—that you have a built-in audience or can easily generate one.

If you choose to self-publish (establish your own publishing company) or go with a pay-to-publish service, you will still need a platform in order to position yourself and your book in the marketplace. As you are aware, readers of fiction generally choose books based on author name recognition and consumers of nonfiction are more interested in the author’s level of expertise and/or experience.

Authors need to ask themselves, “Why will people be interested in my book?” “What will entice them to buy a book that I wrote?” Not only will this course help you respond to these questions, it will coach and support you in establishing your personalized author platform.

Through this course, you will learn:
• What a platform is and why it is so valuable.

• How to identify the elements of your current platform and use them to your benefit.

• How to add to your platform in order to position yourself as a trusted expert in your field or genre

• How to develop a following.

• How to more effectively represent yourself to publishers, the media and your potential customers.

Within the realm of bookselling, it isn’t about the book as much as much as it is about the author and his or her sphere of influence. Let us help you to design your author platform which is a major step toward creating a successful publishing experience.

Sign up for this one-of-a-kind course for personalized assistance with your all-important author’s platform today. While I teach all of my SEVEN courses on-demand (on your schedule), I am starting this 6-week course next Friday, February 25, 2011.

Be among the first to sign up. You won’t be disappointed!

http://www.matilijapress.com/course_platform.htm

Check out all of my courses here: http://www.matilijapress.com/courses.htm

Question? PLFry620@yahoo.com

February 19, 2011

The Creativity and Strategy of Publishing

Filed under: Publishing — Patricia @ 5:29 am

You’ve heard it before, “writing is a creative endeavor and publishing is a business.” While you must engage your right brain during the writing process, publishing takes left-brain power. Most new authors understand this—or think they do—until they finish their manuscripts and are faced with the realities of publishing.

Many authors spend about two hours studying the publishing industry. They might attend a local writers’ group meeting and listen to a speaker who describes the publishing process. The speaker’s experience sounds rather daunting, so the author opts for an easier path. Then the author turns on his computer, uses “publishing” or “get published” as keywords and promptly locates a list of publishers eager to publish his manuscript (sight unseen). You know the rest of the story—his publishing path is littered with disappointments, misunderstandings and a failed book.

What went wrong? He called upon their creativity while writing the book, but he neglected to use necessary strategy when it came to publishing.

You use strategy when playing a sport or a card game. You strategize in the course of your job. You use strategy when dealing with people—even, sometimes, those close to you. Strategy even comes in handy when you are training a pet, teaching a skill, putting on your makeup, paying bills, decorating a room or planning your vacation. Why, then, do you approach publishing with little knowledge using a scattershot method? Why do you pay large sums of money to the first “publisher” that expresses an interest in your project and then sorely neglect to follow-through with your responsibilities as a published author? I know why. It’s because you enter the publishing industry with little knowledge and unrealistic expectations.

It’s true, most new authors learn about publishing the hard way. They take a crash course in publishing by diving right in without a life preserver. (A life preserver being a synonym for knowledge, of course.) Sure, some of these authors survive the treacherous waters, but most do not.

So what is a better approach? I say that an author, once he has finished his book and he wants to be published, should lighten up on creativity and begin to apply strategies. The artist with a coffee table book, the homemaker with a book of recipes, the retired school teacher with a children’s book, the minister with a Christian novel, the grandmother with a young adult fantasy, the florist with a gardening book—each and every one of them, if they want to succeed as a published author—MUST enter into the world of publishing armed with knowledge.

Study the publishing industry—learn what your options are, the possible consequences of your choices and your responsibilities as a published author. Once you have a better understanding of the publishing industry, then start strategizing.

• What are your short-term/long-term goals related to your project?

• What can you bring to the table in order to meet your goals?

• How far are you willing to stretch to create the level of success you desire?

• Based on your responses to the above, what is the best publishing option for you and your project?

There is a whole lot more that goes into creating a successful book than most new authors can even imagine. What most authors learn much too late is that the level of success they experience is directly related to the author. I have to tell you that there is no easy road to publishing success. And the strategies you used to produce and market one book might not work for another. But then, once you take the time to really study the publishing industry, you will begin to understand that.

FREE Ebook
Here’s an ebook that will definitely help you inch your way toward success with your book project. Download your FREE copy of, 50 Reasons Why You Should Publish Your Book.
http://www.patriciafry.com

Article-Writing Course Sign-Up
It’s not too late to sign up for my online article-writing course. It started last Tuesday. The second lesson and assignment will be sent to students Tuesday February 22. If you want to learn how to supplement your income through article-writing or you would like to promote your book through articles, sign up for this 6-week course ($125). Learn from someone who supported herself through article-writing for 25 years and who currently promotes her books through articles for appropriate publications.
http://www.matilijapress.com/course_magarticles.htm

February 18, 2011

Your Author’s Platform—Where Does it Come From?

Filed under: Authorship — Patricia @ 5:32 am

You hear/read a lot about the importance of establishing and building on a platform. What exactly is a platform?

Your platform makes a case for your credibility as the author of your particular book. A platform involves your way of attracting readers. You can trace your bookselling success (or lack of) directly to your amazing platform (or lack of). If you have a valid and convincing platform, people will buy your book. If not, maybe not. For example, if you are thought of as an expert in your field, people will have more trust in you and will be more apt to purchase your book on the topic of your expertise.

A platform is your reach—how far and wide you are known by your potential readers. For example, if you have a large readership for your blog, newsletter, articles and other books in a specific genre, you can be fairly certain that you will be able to sell a number of copies of your new book in this genre.

A platform includes your realm of influence. If you have a large following of people who use your products or services, who attend your lectures and who believe in the advice you offer, for example, you are most likely influencing many of them and they will trust you enough to purchase your book on this topic.

Sometimes a platform comes naturally—you sort of grow a platform without realizing it is happening. You develop it as a matter of your life course as a PE teacher and fitness advocate, a longtime author of genre fiction, a parent of an autistic child and a widely-known activist for mainstreaming kids with disabilities or a flower shop franchise owner and public speaker at floral trade shows, for example. But most of us with platforms must continually build on them in order to remain visible to upcoming generations and to keep up with technological and other advances in our industries/areas of interest.

Other times we must build our platforms from scratch. The retired bank president who sits down to write her first book focusing on child-related charities abroad, may be known in the banking industry, but will have to play catch-up when it comes to establishing a platform on the subject of her book. The grammar school teacher who decides to write a children’s book has a ways to go in order to create credibility as a children’s book writer if she has no background experience. The foundation of her platform is the fact that she is a teacher. But she will have to build from there.

There are many steps to building a platform. I write about how to do this a lot. I speak about it. I frequently outline various steps to help authors recognize the cornerstones of their natural platforms and to continue building on them. A platform is such an important aspect of authorship that there should be more platform support systems for authors.

With this in mind, I’ve decided to start an online, on-demand Author’s Platform-Building Course. I’d like to hear from those of you who would be interested in working directly with me on building your personal author’s platform. Leave your comment here or email me at PLFry620@yahoo.com.

February 17, 2011

Authors, Do You Have the Courage to Kill Your Book?

Filed under: Authorship — Patricia @ 5:29 am

What if you come up with a great book idea? You receive encouragement from friends, continue to nurture your idea and become very attached to it. Then you do some research—even write a book proposal—and the results don’t look so good. You discover that your great idea maybe isn’t so great. There seem to be a few flaws—even red flags. But you really, really want to write and produce this book. It’s your dream. Maybe you can make it work, despite the obvious obstacles, such as there being no real evidence that there is a market for this book.

Thousands of authors go ahead and produce their dream books even though there is little hope that it will come anywhere close to fulfilling their dreams. I suppose we should celebrate and congratulate those authors who demonstrate a strong sense of commitment to their projects. But I have a problem doing so when the author obviously harbors unrealistic expectations. The author who does impress me is the author who has the courage NOT to write or produce a book that is not wanted or needed—that is not a good business prospect.

I know such an author. She came up recently with an idea for a book and became excited about the possibilities. She told friends about it and they encouraged her 100 percent and even offered to contribute. At that point, she contacted me asking how to start the process. I said, “First, do a little preliminary research and see if there’s anything else out there like your book idea. If so, consider what your book could bring to the table—what would make it different, better?”

This hopeful author did the research and discovered that there were quite a few books on this topic—really a perceived glut of them. She could not come up with an angle that she thought was unique enough and still marketable, so she decided not to pursue it at all.

While some people would say that she is a quitter, I say that she made a smart business move.

It’s hard to stop the forward motion on a project that your heart is in. But it would be harder to go ahead with it and fail because it was the wrong book at the wrong time.

Folks, be realistic when you decide you want to write a book or that you want to publish the book you’ve been writing. How are you going to sell your run-of-the-mill book on dieting or healthy eating when you are not known in the field and there are hundreds of other books to choose from? How many people will actually be interested in reading your memoirs? If your book isn’t likely to be a big crowd-pleaser, you probably won’t be able to interest an agent or a publisher. If you decide to go the pay-to-publish route, you will have a very difficult time making sales on your own. Bookselling is tremendously intense and difficult work.

So, fellow author, if you have a book in mind. Stop the forward motion on it immediately. Sit down and spend the next few days writing a book proposal. This process will help you to determine whether you have a legitimate audience for your book or not. It will introduce you to your potential audience and show you where and how to locate them and approach them. You’ll discover what you need to do in order to establish a strong enough platform to represent your book to publishers, agents and readers. It will also help you to more appropriately focus your book idea.

If you need help writing a book proposal, it is available through my online, on-demand book proposal course.
http://www.matilijapress.com/course_bookproposal.htm

What if you have a published book, but it is just not doing well in the marketplace? I wrote a book for you. It’s called, The Author’s Repair Kit: Heal Your Publishing Mistakes and Breathe New Life Into Your Book. http://www.matilijapress.com/author_repairkit.html

Contact me for editorial assistance with your book proposal or your book manuscript. PLFry620@yahoo.com. Learn more about me and my work at http://www.patriciafry.com While there, be sure to sign up for the FREE booklet, 50 Reasons Why You Should Write That Book.

February 16, 2011

How to Position Yourself as an Author Expert

Filed under: Authorship — Patricia @ 4:51 am

How often have you heard that a nonfiction author must position him/herself as an expert? What does this mean? It means that, as the author of a nonfiction book, you need to earn yourself some credibility as an expert in your field so that your readers will turn to you (and your book) for the information and answers they seek.

How do you do that? First, you write a book on a topic you know well—a subject in which you have experience and interest. To some consumers, once you produce a book on the topic, you are already considered an expert. But what will make readers choose your book rather than others on the topic. The fact that it is new is a plus for some. Maybe they’ve read all of the other books on the market about raising bunnies for show and they are thrilled to find a new one from a different author with a fresh perspective.

But how will you continue to attract readers? By becoming known to those interested in reading about this topic. How?

When you are looking for a book on a particular topic, how do you choose one book from all the rest on the shelf or at amazon.com? First, you probably seek certain information, so you want to make sure that the book you select has a strong section on the material you are searching for. Let’s say that you want a good book on self-publishing. And you are especially interested in information on setting up your publishing company—what steps to take when. You will check the table of contents and the index to make sure that subject is covered.

Next you will probably look for an author’s name you recognize. You might not even know much about this author other than the fact that his name is familiar—you’ve heard it and seen it numerous times. For most people, this is highly important—name recognition does sell books. Think about it, you’ve bought books because you recognized the author’s name, right?

So how does an author develop a level of familiarity that will cause people to purchase his or her books above the others? Again, think about where you hear about the experts in your field of interest.

• You hear their names mentioned at meetings, gatherings, shows, etc. related to the topic.

• You see their names on articles in the publications you read.

• You may read their blogs and subscribe to their newsletters.

• You see their book reviewed and/or recommended at the sites you visit.

• You attend their lectures at conferences related to your area of interest.

• You see their endorsements on the covers of other books on the subject.

• You notice their interviews at other blog sites.

• Other experts mention their works in their articles and lectures.

• Their name shows up in your Google Alerts quite often.

All of this, along with a measure of experience and knowledge of the subject is what can position an author as an expert in his or her field. And these are the things you should be doing even before you complete your nonfiction book in order to position yourself as an expert in your field or area of interest.

You don’t have to be the best and most knowledgeable rabbit breeder around in order to sell your book on the topic. What you do need is enough experience and information to write a credible book on the subject, and a slant that others may not have thought of. And you need to go to work becoming known to your audience. Do you have any questions?

I know one question that always comes up: “What about fiction? How do I become known in my genre so that people will purchase my mystery or science fiction or historical fiction?”

So often fiction writers ignore everything said or written about book promotion, saying that “promotion is for nonfiction only.” WRONG! Take another look at the bulleted list above. If you exchange the word “fiction author” for “expert” and “stories” for “articles,” you will reveal your promotional plan of action for your novel:

• Become known among your readers.
• Submit stories to a wide range of publications/sites.
• Establish a blog and/or a newsletter.
• Get your book reviewed many times over.
• Ask for recommendations at a variety of sites.
• Go out and speak/perform on behalf of your book.
• Give endorsements for other authors’ books.
• Seek out interview opportunities.

Successful authorship depends on much more than good writing skills. If you are planning a book, download my booklet—50 Reasons Why You Should Write That Book and read it from cover to cover. It’s FREE. http://www.patriciafry.com

February 15, 2011

Publishing is NOT Static

Filed under: Publishing — Patricia @ 6:28 am

It is good to have a plan, when you decide to write a book. All experts recommend that you enter into the treacherous publishing waters prepared—armed with knowledge and having decided on a direction. However, many authors, once they choose a course, become unmovable, no matter what they encounter along the way.

While it is a good thing to be tenacious and persistent in your pursuit for publishing success, it is also wise to change direction when appropriate—to be open to opportunities that arise.

A good idea can turn bad. In other words, what was the right choice in the beginning of your publishing pursuit may not be the way to continue. I want you to know that it is okay to make changes—to take another fork in the road.

For example, you may have chosen the pay-to-publish route the first time around. You studied your options and decided upon a particular company in order to get your book out there. You’ve learned a lot while attempting to position your book among the others in your genre and yourself as an expert. But you feel that you’ve gone just about as far as you can with this company. It is okay (and probably a good idea) to make a change.

Perhaps you’ve done so well with your book through your own efforts that you could interest a traditional publisher in taking it over. Or maybe you would like more control over your project and are contemplating self-publishing. Your book might be conducive to ebook status. Why not arrange to have it produced for the Kindle and some of the other more popular ebook devices? It’s okay. It’s your book. As an author, you should remain fluid with your project.

If your book is at the mercy of a pay-to-publish company only and you find it is too costly to try to make sales to bookstores or to work with distributors, you must step out of the shadows and take charge. It is important that you make yourself aware of the possibilities for your book; that you know what you can do in order to take it to the next step; and that you have the courage to do so.

Stay with your original vision for your first book and you may never see it fly as you had hoped. Publishing is ever-changing and you, as an author, must be willing to stretch and bend along with the industry.

Some hopeful authors are so inflexible that they never get their books out to the public at all. One critical evaluation from an editor, one negative comment from a professional who professes that publishing is hard work and/or one rejection letter can kill that wonderful writing spirit. And this is such a shame.

If you are working on a book, now is the time to prepare for what’s ahead. First and foremost, study the publishing industry. Learn what it involves, what your options are, the possible consequences of your choices and your responsibilities as a published author. Start by reading, The Right Way to Write, Publish and Sell Your Book (on sale now at http://www.matilijapress.com/rightway.html.

If you have a published book that isn’t selling as well as you had hoped, start opening your mind to other options and opportunities. Study this book. Network with other authors. Attend writers/authors conferences and lectures. Take classes. And don’t be afraid to take your book to the next level.

Whatever you decide to do next, make sure that you are moving forward and not stagnating. Publishing is not static and you shouldn’t be, either.

One thing you can do for yourself and your book is to sign up for Patricia Fry’s online Article-Writing course and learn how to promote your book through magazine articles. Or maybe you want to learn how to supplement your income through article work. This course starts this week. It is not too late to join in: http://www.matilijapress.com/course_magarticles.htm

If you need help promoting your book, sign up for Patricia’s Book Promotion course.
http://www.matilijapress.com/course_bookpromotion.htm.

http://www.matilijapress.com
http://www.patriciafry.com

February 14, 2011

Should You Attend a Writer’s Conference?

Filed under: Writers' Conferences — Patricia @ 6:39 am

I’m presenting quite a case for attending a writer’s conference in the upcoming edition of the monthly SPAWN Market Update.

Have you ever attended a writer’s conference? Was it a writer’s retreat or were there workshops you could attend on a wide variety of topics of interest to writers/authors? Did the organizers invite agents and editors whom you could consult with?

Did you leave the event absolutely brimming and overflowing with inspiration, hope, ideas, knowledge and resources? That’s as it should be. If this didn’t happen for you, perhaps you attended the wrong conference for you.

It’s important to check the agenda of conferences carefully before choosing to attend. Sometimes, we will sign up for a conference because it is close by and maybe inexpensive. And why not take advantage of an event that is convenient for you to attend? That’s okay. If you are open, you will surely learn something worthwhile and you’ll certainly discover valuable resources, meet interesting people and have a good time.

Attend any conference with unreasonable expectations and you will, most likely, leave full of disappointment. I’ve observed hopeful authors resisting the very information and perspective they need in order to survive and to excel in the world of publishing because they simply weren’t ready to hear it—to take it in. There are still hopeful authors who spend more time trying to figure out how to bypass the onramp to publishing success than in going with the flow of traffic toward what is known to lead to the success they desire. They reject and resist the very information they need. They are in denial. They want to achieve publishing success, but they do not want to put in the necessary effort to do so.

“What?” they might say, “Promote my own book? No, I’m not going to do that. That’s what the publisher is for.” Truth be told (and it is being told by every professional at every turn) publishers want authors with viable marketing plans and the energy to carry them out.

A well-run writer’s conference is a great place to meet and network with other writers and professionals, to learn and to grow. I recommend that every author attend at least one. Choose the right one by studying some of the conference directories.

http://writersconf.org
http://writing.shawguides.com
http://www.allconferences.com
http://www.newpages.com/writing-conferences

Last day to sign up for Patricia Fry’s online article-writing course. http://www.matilijapress.com/course_magarticles.htm

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