Writing and Publishing News from

March 15, 2011

Your Writing Motivation

Filed under: Writing — Patricia @ 5:18 am

I remember when writing was a solitary activity and writers were mere figures in the background of the story. The relatively few people who wrote for publication, did so with passion and commitment. And there were thousands more who wrote in secrecy for pleasure.

Today, everyone writes for publication or knows someone who does. There were over a million books published last year and I would guess there are millions more manuscripts in the works—some that will never see the light of day.

Writing is no longer lonely. And we don’t have to wait for gratification from our efforts. We can write faster using computer technology and complete our projects in record time. We can produce a book in weeks—or even days. We can share our writings instantly—via our blogs, by posting articles online, through our websites, in discussion groups, etc. If you want to be published, there is nothing stopping you.

Yes, practically everyone is writing or plans to start a writing project. But what has happened to the passion in this writing frenzy we’re experiencing in America? Is there anyone out there who still loves the process of writing—who is infatuated with the written word—who must write? Or are we all simply writing to air our grievances, to soothe our damaged psyches, to establish credibility, to make money?

I have been writing for publication for over 35 years. And I’ve seen the world changing around my profession. As a board member of SPAWN (Small Publishers, Artists and Writers Network) for 16 years, I’ve met writers and authors in every category of writing interest and pursuit. I’ve watched writers soar and I’ve watched them fail. A common denominator for those who don’t make it in this field seems to be lack of passion, purpose and drive.

Are you thinking about entering into the highly competitive publishing field? Do you have what it takes? Are you blessed with a real enthusiasm for writing, are you realistically motivated and do you have the drive to do what it takes to succeed?

Maybe it’s time to evaluate your motives. Here are two important questions. Try to answer them this week:

Why do you write?
What motivates you to keep writing?

March 14, 2011

How to Design a More Lucrative Article-Writing Career

Filed under: Article-Writing — Patricia @ 6:40 am

I often develop my daily blog post from a writer’s question or a conversation I’ve had with a student or client. Well, this morning, I offered advice to a student in my article-writing course and I wanted to share that with you.

She, like many writers starting out, is stuck on wanting to write within her comfort zone. Unfortunately, our comfort zone is usually quite narrowly focused. She likes to write personal opinion and personal experience pieces. And why not? These are easy. They require no research and no interviews. You do not have to go anywhere to validate or verify anything. You just write from the head or the heart. Nice work if you can get it.

The problem is, there’s not much of a market for this type of writing, unless, perhaps, it is a spicy op-ed piece on a controversial subject.

So what did I suggest to her? Here’s the gist of my response:

I have to say that the piece you wrote from the heart is cute, but you aren’t going to get very far earning money with personal stories. If I were you, I’d move away from that for now (come back to it after you have established yourself within the world of magazines). Use some of the techniques we’ve discussed in the course to locate article ideas that are timely, things that are on people’s minds now, unique ideas that others are interested in and that haven’t been overused. For example,

“What to do if you get a tsunami warning” (for magazines related to coastal living).

“How dogs are helping with the rescue and recovery effort in Japan.”

“How to teach your children to be givers—to develop an altruistic attitude/behavior” (for any number of parenting/religious magazines).

“Profiles of teens who are helping others in major ways.”

Read newspapers and magazines and watch the news for story ideas.

Find magazines that have editorial calendars and study them to discover article ideas. Wooden Horse Publications publishes a lot of magazine editorial calendars along with their expansive database of magazines. http://www.woodenhorsepub.com or use Google to find magazines with editorial calendars.

I would advise that you stay away from the personal piece for now. As you proceed within the world of article writing, you will become more and more familiar with magazines and you will get to know editors. Then you will have a better chance of getting some of your more fun things—things that are close to your heart—published.

When I started my article-writing career, I wanted to write about parenting (from a parent’s point of view), and I loved writing personal experience pieces. But I knew these pieces were harder to place. (Besides, I was not a celebrity or a parenting authority.) So I chose to write about something I knew well and that I knew wasn’t being covered adequately at the time—things related to horsemanship and amateur horse showing for horse magazines. I think you’ve heard me say that I sold the first article I wrote and quite a few subsequent pieces to horse-related magazines.

Around that time, I got a job with a local newspaper writing a business column. This meant I had to go out and interview people. I found interesting stories throughout my community and I submitted some of them to magazines. I wrote about a woman who made exquisite batik dolls and a man who built guitars from scratch. I wrote a how-to piece on drying flowers (based on the instructions of a local florist), and one on how to cook using flowers—which flowers are edible, etc. I featured a fabric store owner who packages her quilting fabric pieces to look like food—salad, milkshake, sushi, etc.

I suggest that you check into your regional magazines for ideas and for possible opportunities.

I hope this gives you some ideas and some encouragement to step further outside your comfort zone, which, in my opinion, is going to be necessary if you truly want to establish and build a lucrative article-writing career.

For more about article-writing, visit my websites and look at some of my articles.
http://www.matilijapress.com
http://www.patriciafry.com

If you want more help with your article-writing career, sign up for my article-writing course:
http://www.matilijapress.com/course_magarticles.htm

March 13, 2011

Which Publishing Option Should You Choose?

Filed under: Publishing — Patricia @ 6:04 am

Should you self-publish, go with a pay-to-publish company or sign with a traditional royalty publisher? Would you be better off to produce a print book or an ebook? Will you hire a print-on-demand printer or find someone who still does offset printing? Shall you have your book printed in the US or overseas? Is your book worth producing at all?

There are a lot of considerations when you decide that you’d like to publish the manuscript you’ve been working on all these months (or years). How do you decide which roads to take—which choices to make?

Authors often come to me in a confused state—having just completed the writing on their masterpiece in the calm and comfort of their homes. When they start to look into the task of publishing, it’s like opening their front door and finding major chaos raging outside their peaceful world. Everything has changed. It’s all confusing. They don’t know which direction to go or who to follow.

Authors often ask me, “Which is the best publishing option?” I tell them that it depends on the author and it depends on the project. If you are in such a quandary, maybe this will help.

1: If you are writing your memoirs or the story reflecting your uncle’s military experiences or your ancestors’ migration to Texas, for example, it would probably be of interest to a small circle of people—family and close friends. In this case, you might hire a credible pay-to-publish company to produce twenty-five or fifty copies to handout. Depending on the size of the book, you might have it copied and saddle-stitched or spiral bound at a local business center. (Read Mark Levine’s book, The Fine Print of Self-Publishing before choosing a pay-to-publish company.)

If you believe you have a real gem of a story in the caliber of the rare memoir that has hit the big-time, show your book around and see if you can excite a publisher about it. If publication and widespread distribution is your goal, then turn your manuscript over to a good book editor before you approach a publisher. Listen to what he or she says about the quality of your writing and, if need be, let them help you to improve it.

2: If you’ve done your homework and you know you have a good book that will fill a niche or that is in a popular genre, well-written and could attract a large audience, hire a good book editor and start studying the publishing industry to learn the best way to approach it with your amazing manuscript. Spend some in this study before launching out with your book.

3: If you are a strong marketer, you are familiar with your audience and have ideas for promoting your book, you might want to establish your own publishing company and manage the project on your own. If you would like the assistance of a professional in the business, then consider signing with an appropriate publisher. Remember, however, that it is still up to you to promote your book even if you land a major publisher.

Not every publishing option is for every author. And I’ve known authors who have made some bad decisions with regard to their book projects. What are some of the most common mistakes?

• An author will go with the first pay-to-publish company who expresses an interest in his book without considering his options—or even discovering what his options are.

• Authors start seeking publication before their book has been professionally edited.

• Authors do not understand enough about the publishing industry to make good choices.

• An author will write the wrong book for the wrong audience.

• Authors often have unrealistic expectations—again, due to the fact that they don’t take time to learn something about the publishing industry. They treat publishing as if it is an extension of their writing and not the serious business that it is.

Most of these authors fail. Don’t be one of them. There are numerous books and sites with information to help you learn more about the publishing industry and how to navigate it with your amazing project. Here are three sites with tons of resources and opportunities for new authors:

http://www.spawn.org
http://www.matilijapress.com
http://www.patriciafry.com

March 12, 2011

Sell Books at Book Festivals

Filed under: Bookselling — Patricia @ 5:02 am

Let’s talk about book festivals today.

I enjoy book festivals. I attend three or four a year—sometimes more. Most are fairly lucrative for me and almost always fun. I used to travel to attend book festivals and sometimes still do attend festivals in other states when they are connected to writers’ conferences where I’m giving a presentation. But mostly, I participate in local Southern or Central California events, such as the big Los Angeles Times Festival of Books coming up next month.

So what is the key to selling books at a book festival?

Connect with the potential buyer. When someone looks at one of my books on publishing or book marketing, I ask, “Are you a writer?” Invariably, we become engaged in conversation which affords me the opportunity to give my sales pitch.

I once watched a man with a children’s book ask everyone who walked by, “Do you know a child who likes to read?” Many people did and many of them bought his book. In fact, he sold out before the day was over.

Poetry is not easy to sell. Yet, a SPAWN member once sold thirty copies of her book of poetry from the SPAWN book at the Los Angeles Times Festival of Books by engaging passersby and getting permission to read to them from her book.

But book festivals are not only about selling books. An author must think exposure!!! The more exposure you get for your book, the more sales you will ultimately make and the more opportunities you will have.

I’ve seen people get speaking gigs as a result of their participation in a book festival. One SPAWN member was invited to be interviewed on a radio show. And one author I know met up with someone who was so interested in his book that he helped him to have a documentary made on the topic.

I’ve also observed authors avoiding contact with people who, with a little nudging, might have bought their books. Here are some tips to use when bookselling at a book festival or anywhere else.

• Know how to talk about your book.
• Practice your sales pitch.
• If you need help with any of the above, join a Toastmaster’s club.

If someone expresses an interest in your book, but doesn’t buy it, make sure they walk away with one of your professional quality promo pieces.
Make it easy for people to purchase your book. Have plenty of change. Accept checks. Accept credit cards. Provide bags for their purchases.

Book festivals can be worthwhile endeavors, but you have to be well prepared and willing to stretch and grow.

To locate book festivals and book fairs throughout the U.S., go to
http://www.abebooks.com/books/RareBooks/book-fairs.shtml or do a Google search using the keyword book festivals or book fairs and your city or state.

http://www.matilijapress.com
http://www.patriciafry.com

March 11, 2011

Exposure: It’s What Your Book Needs

Filed under: Bookselling — Patricia @ 6:29 am

Is your book getting enough exposure? Or are you keeping it hidden away—declining opportunities to show it around—while waiting for bigger opportunities? Are you often disappointed after an author event because you didn’t sell as many books as you expected to?

It’s good to set bookselling goals, but don’t tromp all over your potential success by losing sight of what is really important. I maintain that exposure should be our goal when we set out to have a booth at a book fair, do a book signing downtown, sell books in the back of the room after speaking at the local Rotary Club, for example. Why? Because exposure sells books.

SPAWN (Small Publishers, Artists and Writers Network) is offering a great opportunity for authors to get exposure and to sell books at the Los Angeles Times Festival of Books (LATFB) April 30, May 1, 2011. SPAWN has had a presence at almost every LATFB over the past 16 years and, this year, we have two booths with space for our members to sell their books.

Let me know if you would like to join us. Patricia@spawn.org. We’re taking reservations now for one day or both days.

Tomorrow, I’m going to tell you stories about some of the great opportunities that have opened up for our members as a result of their participation in the SPAWN booth at this major, major event. (Clue: they usually have 140,000 visitors.)

Patricia@spawn.org

March 10, 2011

How to Get Down to Writing That Book!

Filed under: Writing — Patricia @ 6:34 am

Do you have a writing project at hand? Are you working on a book that seems to be stalled? Would you like to finish your book project within a certain time frame—by the time the kids are out of school, when school starts again or before the year ends, for example?

How are you coming along with your project? Feeling disorganized, hopelessly stuck, as if there just isn’t enough time in the day? You may feel along, but you aren’t alone.

Even though there are over a million books being produced each year and there’s every technology imaginable to help, still a whole lot of authors never complete their projects or they take an inordinate amount of time to finish it. Today, I’d like to offer some tips on how to ultimately finish your book:

1: Choose a topic that you are passionate about. You have to love what you are doing. On the other hand, allow yourself to enjoy the process. Some authors have trouble giving themselves permission to spend time writing because it seems as though they should be doing something that’s more like work.

2: Come to terms with why you are writing this book—you have something to say, you have knowledge you want to share, you feel a need to help a segment of people, you just get excited when you think about your book project and where it could take you.

3: Determine what is keeping you from writing and do your best to address it.

4: Set up a writing space of your own away from the hustle bustle of the household.

5: Ascertain what sacrifices you could make in order to spend more time writing. This might be less TV watching, fewer hours spent on computer games, check emails only twice a day, get up an hour earlier, go to bed an hour later, write during your lunch hour, cut time spent on your daily workout, clubbing etc.

6: Develop a schedule. Plan to write everyday/evening at the same time. This will help you to create the habit of writing.

7: Find a writing buddy—someone to help you become more accountable.

8: Join a writers’ group. The writers’ group atmosphere can be inspiring.

9: Set a reasonable deadline for yourself. (Surveys show that it takes 725 hours to write a typical nonfiction book. That’s 90 eight-hour days or approximately eighteen work weeks or four months.)

10: Look to the future. Sometimes it helps to imagine the end results of your effort—the joy of holding your completed book in your hands, the boost your book will have to your business, the fun you will have doing readings with children, etc.

Order Books Now
A few followers have told me that they’ve had problems ordering books and signing up for courses at my website. Some have wanted to take advantage of the discounts I’m running. We discovered that there was a problem. It has been fixed. Please order your books/courses now.

http://www.matilijapress.com

And visit my personal website to learn more about my services:

http://www.patriciafry.com

March 9, 2011

Create Your Own Writing Opportunities

Filed under: Writing — Patricia @ 6:20 am

Someone I worked with many years ago passed away last week. It caused me to recall our association as it relates to writing. It was around 1989 and fear of starvation as a writer had sent me back to the working world for a while. I landed a job in the admissions office for a local private school. After about a year, when I got my confidence level back and my article business seemed to be supporting me again, I decided to go back to it full-time. The director of the school contacted me before I left and asked if I’d like to write a book about the history of the school. I accepted the job and agreed to work so many hours per week on this project for a set fee per month. That gave me time to continue developing my article-writing business.

This was a most enjoyable project. I loved working with the school director and interviewing the many former teachers and students of note. What stories they had to share. The results of this effort was a 300+ page book—A Thread to Hold, The Story of Ojai Valley School.

A few years later, I worked with this man on his memoirs, which he presented to his family members as a surprise gift.

Have you ever written on commission? Or have you produced a book for a local business, etc? It’s generally fairly lucrative and interesting work. Aside from the history of the private school, I wrote the brochure copy for a local recreation area, a history booklet and newsletters for a local water department and I’ve rewritten manuals for a major international organization. I once designed and wrote the business column for a local newspaper. I’ve also written campaign material and fashion show commentary as well as web and ad copy.

If you want to earn money writing and you have the skill to organize and write a variety of material, you might consider sending your resume and a few ideas to local businesses, utilities companies, candidates, etc. Offer specific ideas: “I see that you are celebrating your 25th year in business in 2012, would you like to come out with an anniversary booklet to handout to customers and business associates?” Or “I notice that you are planning to run for the school board, can I help you with your campaign material?” or “Perhaps a blog would help you gain more recognition and credibility, let me write one on a regular basis for you.” Or “Does your company need help revising your employee manual or updating your website?”

If you want to earn some extra money, gain more writing credits and experience and have some fun doing it, consider approaching some of the individuals in your community who might need help with a writing project.

Announcements
My article, “Do Bookstores Matter to Authors” appears this morning in Fran Silverman’s Book Promotion Newsletter. Are you a published or unpublished author? If you aren’t doing so already, you should be subscribing to Fran’s enewsletter.
http://www.bookpromotionnewsletter.com

I’ve invited a colleague to be a guest blogger here. She’s going to write about writers groups. She belongs to two of them and gets something different from each. I think this would be a good follow up piece to the one I wrote last week on how to find a good writers group. Watch for Sandra Murphy’s post coming up in a week or so.

Sue Collier, co-author with Marilyn Ross for The Complete Guide to Self-Publishing will also be a gust blogger sometime this month. She’s on a virtual book tour and asked if she could stopover here and write something for you.

Do you have something of value to say that would be of interest to authors, hopeful authors and freelance writers? Let me know if you want to be guest blogger here at my Publishing Blog.

Visit my websites:
http://www.matilijapress.com
http://www.patriciafry.com

March 8, 2011

The Scary Ole Query

Filed under: Query Letters — Patricia @ 4:09 am

I just got the schedule for the Carolinas Writers’ Conference and discovered that I was mistaken about the program. It is a multi-track conference. But mine is a ninety minute slot. So I’ve been busy writing a speech I can use for this event—April 2—and for the two-hour workshop I’m presenting here locally on the 22nd of this month.

I’m also teaching my online article-writing course. There are writers who want to supplement their income through article-writing and also those who want to promote their books through articles. I may be one of the few instructors who cover both in my online article-writing course. If you want to earn more money through your writing or get more exposure (and sales) for your book, check out this course: http://www.matilijapress.com/course.htm

If you sign up this month, I’ll throw in my book—A Writer’s Guide to Magazine Articles for Book Promotion and Profit.

Many freelance writers (and authors) are intimidated by the query letter. Here’s an excerpt from Class #4 of the Article-Writing course:

5: The first paragraph: You can either state your intent in the first line or start with an attention-grabbing statement. For me, it depends on the topic and the magazine. For example, I might write, “I’d like to propose an article featuring three artists who have made it big on QVC.” Or I might say, “Millions of artists sell their work, but few ever hit the big time on QVC.” Or, “What do Marcy Young, Toa Chang and Carmen Sanchez have in common? They’ve all made over $50K selling their wares on QVC.”

6: Give a brief synopsis of your article. In a paragraph or two (at most) describe your article idea. You want to be succinct, but make it interesting. Include the content, slant, examples of some of the information you’ll use or points you’ll make and mention the experts (or others) you plan to interview. In this section, you’ll want to provide any important statistics indicating the number of people who might be interested in this topic. The editor might not know, for example, that one in every 3 households has at least one dog, or that there are 2,000,000 kids who are waiting to have a mentor. Help to sell the editor on your article by demonstrating a need for it/potential interest in it.

7: Give your projected word count. The word count should coincide with the particular magazine’s guidelines. If their submission guidelines state that they publish articles of from 900-1200 words, be sure that your word count projection is within those boundaries.

Let the editor know if you have a specific column or department in mind where your article will fit in. If you have studied the magazine, you know that they have a column called, “My Turn.” Tell the editor that you would like him to consider your personal essay for his “My Turn,” column. Column articles are usually shorter than articles for their main pages. So be sure to check the word count requirements for the column you have in mind.

A Word About Word Count
I’ve met way too many people who do not take a magazine’s word count seriously and then wonder why they can’t get their articles published. A client of mine some years ago was invited to write an article for a magazine for the first time. They asked for 1,000 words. She came to me with her article before sending it to the editor and it comprised over 1,800 words. I asked my client about this and she said, “Oh, well I really couldn’t cut it down any more. If the editor wants to cut it, that’s okay.”

Wrong!!!! It would be highly unlikely, in this competitive climate, that an editor would love your article so much that she would publish 1,800 words where she has room for just 1,000. Nor would she spend time editing an article down—not when she has numbers of good articles and a stable of writers who might love to receive an assignment to write on this particular subject. The best advice I can give you is to conform to the editor’s requests and requirements.

8: List your qualifications for writing this article. For a piece on raising feral kitten, I could say that I’ve raised two feral kittens and I’ve done quite a bit of research on this subject for myself as well as for articles published in Cat Fancy Magazine and ASPCA Animal Watch. For an article on how to write a book proposal, I might say, “I’m the author of 33 books and I’ve written successful book proposals for most of them. I also teach book proposal classes and workshops, I’ve worked with dozens clients on their book proposals and I’m the author of books on this subject.”

Have you had experience in this subject? What sort of experience? Do you know the individual you plan to interview? What is your connection? Why are you the best one to write this article? As I said in an earlier lesson, it’s okay if the subject matter isn’t one that you’re familiar with. While you’ll want to do some preliminary research before submitting a query letter, you might say, “For this article, I plan to interview Joe Schmo, author of Why Didn’t I think of That? and director of Inventor’s Anonymous. I’ll also speak to several modern day inventors, including Alice Lake, who recently patented the spray nozzle that works even upside down; John Stanton, who came up with a new idea for recharging batteries and Eric Boston, inventor of the non splatter cooking oil.”

9: List your writing credits. I often tell writers, this is no time to be modest. However, if you don’t have writing credits, I would suggest side-stepping this issue. Since this probably isn’t the case with any of you, let’s discuss how to present your writing credentials. What is the point of this section? To assure the editor that you can write (but your excellent query letter serves this purpose, too), to let him know that you are reliable and accustomed to meeting deadlines. I might say in my query letter, “I’ve been writing for publication for over 30 years.” I might continue this way, “I’ve contributed hundreds of articles to around 300 different magazines. My articles have appeared in (I mention magazines similar to the one I am pitching. If I have written for this magazine, I mention it, as well). I am the author of 31 published books, including (and I mention those that most closely relate to the topic I’m pitching).” Sometimes I mention my affiliation with SPAWN, Toastmasters International, Ojai Valley Youth Foundation, Ojai City Historic Preservation Commission, Cat Writers Association—or whatever organization I belong to that might apply to this particular topic.

Should you mention your writing experience if it relates to business writing, blogging, writing a newsletter or writing in a genre or field very different from the type of writing required for this magazine? By all means, yes. You want to demonstrate to the editor that you can write, that you have a sense of follow through and that you are reliable (you are accustomed to meeting deadlines, for example). If you have not written for publication or presentation, rely more heavily on your expertise on the topic, your research and interview experience or abilities and your excellent presentation via your query letter.

Question? PLFry620@yahoo.com

March 7, 2011

Public Speaking for Authors: The Large and the Small of it

Filed under: Public Speaking — Patricia @ 7:40 am

I finished a large editing job yesterday and now have the space in which to organize a speech for two upcoming writers’ conferences. One of them is supposed to have somewhere between 400 and a thousand attendees and it is a one-level/tier program. In other words, rather than the typical three or more break-out sessions occurring simultaneously at this writers conference, it is one presentation—one speaker—at a time.

I find that it is a very different experience when speaking to a large group as compared to a room of fifteen to thirty people. The intimacy is lost in the larger group. You do not have that workshop atmosphere. The job of a speaker, then, is more along the lines of a keynote speaker. In order to engage a larger audience, you really must be entertaining as well as informative.

Don’t you agree that the job of a speaker is to engage the audience? And this can be done in a variety of ways. In a smaller group, you do this by including audience members—involving them. But how do you do that with a large group? I’ve discovered that you need different tactics.

When I’m speaking to that audience of fifteen to thirty authors, I might give them writing exercises, offer a Q and A session, ask for a show of hands a time or two and/or provide a show and tell opportunity.

When the group is smaller, still—an intimate group of four to eight, for example—I might encourage more dialogue/discussion between us, maybe some readings and I tend to respond to questions in more detail.

In a large group, speakers are more inclined to engage their audience through group exercises such as having them repeat a mantra or sing a round or stand and stretch or look under their chairs for notification of a prize, perhaps.

I discovered early on as a speaker that groups large or small are engaged through laughter. The point is to somehow pull the audience together in some manner. Some speakers do this by evoking laughter (telling jokes). It’s a shared experience for the audience when they are all laughing at (responding to) the same thing.

Have you noticed how laughter can relax the speaker? I learned this the first few times I spoke as PTA president for my children’s grammar school. I think it may have been spontaneous and unplanned, but I remember my nervousness subsiding as soon as I received a chuckle from the audience. I made it a point after that to always say something that encouraged a little laughter whenever I stood up to speak.

Back to my scheduled speech: I’ve decided to use more anecdotes than usual in order to illustrate the points I want to make in a way that is, perhaps, more relatable to audience members. What do you think? And yes, I hope to include a little humor along the way.

Have you gained courage enough to speak before a group? If you have a book to promote, you should be out there doing some public speaking. What do you do to calm your nerves? Do you notice that your presentation takes on a totally different shape when you are speaking to a smaller group versus a larger one? I’d like to hear from you.

I’ll be speaking to authors and hopeful authors at the Ojai Library Tuesday, March 22, 2011 at 3 in the afternoon in Ojai California. And if you are going to be anywhere near Wadesboro, North Carolina April 2, 2011, be sure to attend the Carolinas Writer’s Conference. I apologize that my webmaster is out of town and I don’t have the particulars posted at my website, yet. Please contact me for more info: PLFry620@yahoo.com

March 6, 2011

Is a Writing Career or a Book in Your Future?

Filed under: Writing — Patricia @ 5:46 am

It used to surprise me when someone would say, “How do you have time to do all of that writing?” Finally, it occurred to me where such people were coming from and I began responding by saying, “It’s what I do.”

Most people, when they peek in at a writer’s life, are using their own busy lives as a norm and they can’t imagine finding time to spend writing a book or numerous articles or stories for publication. What they fail to realize is that writers write. That’s how we spend our time. That’s what we do from morning ‘til dusk. If we hold down an outside job, we write during the early morning and/or late night hours—before and/or after work.

It would be like having a beloved hobby or interest that you love to pursue after work—hiking, biking or working out at the gym, building birdhouses, going out dancing or having a responsibility like caring for an elderly loved one or small children. It’s something you do when you can. You find a way to do it out of love or passion.

Even though there are millions of people writing these days, there are still a whole lot of people who still say, “I wish I had the time to write,” or “Someday, I am going to write my story.” And some of them will, but not all. Some people just can’t find a way to make writing a priority. Either the passion isn’t there, their life is already full—there’s no room for anything as intense as writing—or they cannot effectively prioritize.

Loafing on the couch after work or playing computer games is more appealing to some people than sitting down to a writing project. And that’s okay. It’s your life.

If you want to get started with that writing project, I may have an online course or book for you. Check them out at http://www.matilijapress.com. Courses are listed here: http://www.matilijapress.com/courses.htm

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