FREE Kindle: The Colony Cat Caper–a Klepto Cat Mystery

Smokey, AKA the Klepto Cat

Smokey, AKA the Klepto Cat

If you’re interested in a fun, interesting cozy mystery with cats, you can download one FREE through tomorrow–February 8.

Read The Colony Cat Caper FREE on your Kindle this weekend. Don’t have a Kindle? Download the Kindle software FREE to any reading device–even your iPhone.

The Colony Cat Caper is number 5 in the Klepto Cat Mystery series. http://www.amazon.com/Colony-Caper-Klepto-Mystery-Book-ebook/dp/B00KR10GYW/ref=sr_1_5?s=books&ie=UTF8&qid=1423322600&sr=1-5&keywords=klepto+cat+mysteries

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Kittens and Puppies—Too Cute–Too Vulnerable

046Did any of you watch the Puppy Bowl and the half-time show featuring cats in Animal Planet yesterday? Cute. What wonderful, healthy animals they showed, albeit, many of the puppies (and probably kittens) came from neglectful situations.

We should be ashamed of ourselves. We neglect to spay/neuter and then abandon pregnant females or randomly dispose of the puppies or kittens to suit our fancy. We adopt a pet without understanding the breed, then reject it when it behaves typical to the breed. We happily take in a pet and then abandon it when it doesn’t live up to our warped expectations. We seek out popular pets that are depicted as ideal in movies or on commercials and then we’re soon disappointed.

Thankfully, there are thousands of people who will pick up the slack and take responsibility for these cats and dogs. If only everyone would do their part toward responsible adoption, understanding, and care of these beautiful animals.

I think it’s wonderful that the sponsors of the Puppy Bowl give these innocent little ones the exposure that often results in happy forever homes. And that they bring to light the need for so many more homes along with education and intervention in order to help and save other cats and dogs.

Bless those who give so much of their life to rescuing and fostering animals.

Some readers of my Klepto Cat Mysteries complain that my preaching about responsible pet care is overkill. Others praise me for my subtle teaching attempts. Is it preaching or teaching? Is the way I introduce this issue overkill or subtle? I guess it depends on the reader. Does she have a guilty conscience or is she a true advocate for animals? Interesting concept.

Have you read the entire series of the Klepto Cat Mysteries, yet? There are 8 ebooks formatted for your Kindle and five of them are also in print. We’re working on number 9—Mansion of Meows. This one’s a doozy. While you’re waiting for it, be sure to catch up on your reading so you’ll be up to speed and ready for Mansion of Meows. Order your print copies here: http://www.matilijapress.com/Klept-Cat-Mysteries. Order print and Kindle copies at amazon.com http://amzn.to/1kAI8I2

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The Colony Cat Caper NOW in PRINT!

pg6-maxThe Colony Cat Caper—book number 5 in the Klepto Cat Mystery series—is now in PRINT!

Order your copy at Amazon.com for only $8.50 here: http://amzn.to/1kAI8I2 Regular price $8.95. Scroll down to “The Colony Cat Caper, print edition.”

Description:

Savannah Ivey, a veterinarian out on maternity leave; her aunt Margaret, the founder of the Hammond Cat Alliance; and Colbi Stanton, a reporter for the local newspaper take on a cat colony at an old, abandoned building. Odd activity around the place makes them wonder if it actually is vacant; some believe it’s occupied by something other-worldly. When a stranger comes to town and suggests the Alliance open the old building to a fund-raiser, everyone gets involved, including Rags, Savannah’s kleptomaniac cat. He finds something that day that stirs a lot of people—both law-abiding and crooks—into action. Are the feral cats and their caretakers in serious danger? What (or who) lurks inside the old building? What secrets does it hide? And who has the key that unlocks the mystery?

If you’ve been waiting for the Klepto Cat Mystery series to come out in print, today’s your lucky day. You can purchase the first 5 books in print. That’s Catnapped, Cat-Eye Witness, Sleight of Paw, Undercover Cat and NEW The Colony Cat Caper.

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Cat Trivia and Where’s Klepto Cat Mystery 9?

Kitty Cat Trivia

xmas2009-004Do all cats purr? I don’t have to look this one up. I have a cat who didn’t purr until fairly recently. Lily is as sweet and cuddly as cats come. Yet, for her first 5 years, I heard nary a purr from her—until a few months ago. She was busy making bread in my lap one morning when I heard a tiny crackle sound. It was labored and faint, but it was the beginning of a purr. Now she can maintain a sustained purr. It’s soft and it is fleeting, but it is a purr—music to my ears.

I’ve read where kittens learn to purr from the mother cat. I guess that if the mother cat lives on the streets and is constantly in fear for her life and those of her kittens, she might not purr and bring attention to herself. Thus, the kittens would not learn how to use their purr mechanisms.

Evidently no one has figured out how cats purr—how the mechanism actually works. They know that cats purr when they’re content, but they also purr when they’re under stress. I think most of us who love accommodating a cat on our laps, love hearing the gentle murmur of a kitten’s purr.

Where’s the Next Klepto Cat Mystery?

Readers are asking me, “Where’s Book 9?” And, “When’s the next print book coming out?” Okay, okay, we’re working on Book 9 as we speak—Mansion of Meows. Can’t wait to share it with you. And the fifth book in the series, The Colony Cat Caper—one of my faves—is being formatted for print now, too. As you can tell, there’s a lot going on in the Matilija Press offices where the Klepto Cat Mystery series is created.

In the meantime, have you read all 8 books in the series? Catnapped, Cat-Eye Witness, Sleight of Paw, Undercover Cat, The Colony Cat Caper, Celebrity Cat Caper, The Corral Cat Caper, and The Gallery Cat Caper? They’re all formatted for Kindle and available at Amazon. The first four are in print. Order any of the Klepto Cat Mysteries here: http://amzn.to/1kAI8I2 You can also order the print books from me here: http://www.matilijapress.com/Klepto-Cat-Mysteries.

 

 

 

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New Review of Sleight of Paw

Smokey

Smokey

Caren at Cat Chat With Caren and Cody has posted her review of Sleight of Paw. Wow, she makes it sound like a darn good book. I hope you think so, too. Read her review here: http://www.catchatwithcarenandcody.com/2015/01/book-review-and-give-away-sleight-of.html

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My Story–Writing With (and About) Cats

Peeek-a-Boo

Peeek-a-Boo

Today, I want to instill in hopeful and struggling novelists the concept of keeping your audience in mind, not only when considering the topic, slant, and scope of your story, but also during the writing process.

In earlier posts, I stressed the importance of choosing a book genre and topic that is needed/wanted by a segment of readers. You must also embrace the value of and the techniques involved in holding that reader’s attention. With nonfiction books, you would do this by writing to be understood, organizing the material in a logical manner, and providing the information the reader needs/wants. Fiction, however, is a difference animal.

Certainly, you still need to write to be understood, but you must also avoid these pitfalls that I and other editors see regularly:

  • Don’t leave the reader behind. Make sure he/she can follow along with the story. If your character approaches the front door timidly, afraid to knock…don’t suddenly jump to a scene where the character is in the kitchen eating a piece of pie. Without being overly, absurdly simplistic, walk the reader through the scene—don’t leave the reader behind and confused.
  • Don’t try to fool the reader. Facts are important in fiction, too.
  • Don’t engage in muddy writing. Learn to write with clarity. Omit unnecessary words and phrases.
  • Avoid over-explaining. Encourage the reader to think and to feel.
  • Always, always hire an editor before you go to press.

But these are the basics. You want to know how I do it, right? Here goes:

First, how do I come up with story ideas? Sometimes the idea for the plot comes first. Then I flesh it out, organize the key players (characters) and their roles in the story, and create a rough timeline. Other times, I don’t have an inkling as to the storyline, so I might brainstorm with my computer, typing possible themes, scenarios, and settings before a germ of an idea emerges.

When I wrote the first in the Klepto Cat Mystery series, Catnapped, I knew that it would involve the mysterious disappearance of neighborhood cats. I knew that the main cat character would be a large, confident, inquisitive, unique grey-and-white cat. He didn’t even have a name at that point. The details of the story and characters evolved as I wrote.

How do my stories evolve? Sometimes the first paragraph I write becomes the opening smokey-001scene. Other times, I don’t find the opening scene or the theme for the story until after days of writing. I don’t generally toss out much of what I write. Most of it fits into the story someplace.

Early on in each story, I start thinking about how Rags, the kleptomaniac cat, will help to solve the mystery at hand. How can he participate in this case? What physical clues are needed and how can the cat get his paws on them? Does he need access to another location in order to be involved? For example, in The Gallery Cat Caper, Michael and Savannah take all of their pets with them on vacation to the beach where the mystery was to take place. Sometimes I supply escape routes for Rags so he has greater access to mischief and clues.

How do I develop a concept? That question is often as difficult for the novelist to answer as it is for an artist. Sure, I can tell you where some of my stories come from. Catnapped developed from a true story one of my daughters told me—it was a real-life scenario residents (including my daughter) were dealing with in their community. I’d recently heard of another awful situation where horses were being mistreated through rather unusual methods and I decided to weave a fabrication of those facts into the story. Naturally, I took a lot of license and created a book of fiction.

How much truth is in fiction? People who know me well, get a kick out of seeing a smidge of me in my stories, in the scenarios, in the convictions of some of the characters, in the humor, etc. And I pattern some of the cats after kitties I’ve known. Sure I use a whole lot of imagination in creating my Klepto Cat Mysteries, but isn’t our imaginations somehow connected to our psyches…our personalities…our life experiences and observances?

Most authors also write about things they know nothing about. I do, too. I tell my family that if there’s ever a reason my computer has to be confiscated for examination, please, please tell authorities that I’m a mystery writer. We do some of the most inane and bizarre research you can imagine. How else would we be able to write a legitimate murder scene, for example, or understand the possible dangers of a jellyfish sting, or know how surveillance cameras work…

Fiction, in order to be respected, must be realistic. I laugh at myself sometimes. In the third book in the Klepto Cat Mystery series, Sleight of Paw, a main character, Michael is attacked and must fight for his life. In order to correctly write that scene, I found myself in physical contortions for the sake of reality in my story. Can a person actually be twisted in this position? Does it render him helpless? Could he break free? How?

A hazard of fiction-writing—at least for me—seems to be getting attached to the characters, both human and feline. Some of you have experienced authorship. You’ve created a book and published it. You’ve invested a lot of yourself in that book and it has become a precious part of you. I’ve discovered, in my relatively short career as a fiction-writer, you can become quite attached to the characters you create, as well.

For example, I planned to have Michael hurt so badly that he had to be hospitalized, but I couldn’t bear to do that to him, so I just had him banged up a little.

I have a story germinating in my mind as we speak, but it involves some fear and stress for one of my kitty characters—a sweet Himalayan-mix I’ve fallen in love with. I’m not sure I can put her in such a situation.

sophielily-011Do you have to write about what you know? I’d say you should be familiar with the main theme of your story or series. If you want to write about a professional ocean fisherman, yet you’ve never seen the ocean and know nothing about life in a fishing village, you’ll be researching every aspect of your story. I suggest that you have some sense of familiarity with major aspects of your story or it will be a real stretch for you to gain the respect of your readers. I’ve discovered that writing realistically about cats can be every bit as important in fiction as in nonfiction. In order to capture and hold the interest of mystery readers, the characters in your story must be realistic, and this is true of your cat characters. I came into the world of fiction and creating cat characters after a lifetime of knowing a wide variety of cat personalities. I’ve written dozens of articles about cats and I’ve had many experiences with cats, so I have a leg up when it comes to representing cats in a story. However, in order to fine-tune some of my scenes, I still engage in research. I still observe my own cats’ reactions to things. And I even set up tests for my cats in order to capture the essence of their movement or response to certain elements or scenarios. I also watch neighborhood cats who are naturally more wily than indoor cats. My modest home office here in California has become a lab of sorts and I’m the mad scientist of mystery-writing.

Am I having fun? I’ve always loved the writing process—every aspect of it. Now that I’ve discovered fiction, I am having the time of my life. Thank you, my readers, for making it all possible. I hope you are being aptly entertained in the process.

My Story begins here at this blog site on January 6. Read all 6 installments. Not only will you get some insight into the life of a cozy mystery-writer, you’ll learn a lot about successful publishing tactics. To see all 6 entries, go to http://www.matilijapress.com/catscapades They appear on January 6, 2015 through January 11.

Read all 8 books in the Klepto Cat Mystery series. http://amzn.to/1kAI8I2

 

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My Story—Secrets to a Book Series Success

pg19-bSo what makes my Klepto Cat Mysteries popular and what is my role in their success? This is the topic of today’s post.

Thankfully, I entered the world of fiction after having paid my dues as a nonfiction author. One thing I learned along the way is that a book does not sell itself. One cannot be an author only—strictly an author. In order for a book to become even mildly successful (break even or earn the author a few hundred dollars), it has to sell. And in today’s fiercely competitive publishing climate, it takes a whole lot of marketing strategy to sell books. Just as you cannot give birth to a child and expect it to raise itself, you cannot produce a book and expect it to sell itself. You have to become a “parent” to the book. You must mold and groom it to fit into society and then adequately introduce it to your world of readers.

This is nothing new. Books have always sold according to the level of promotion they receive. No one will buy a book they do not know exists. And the author is the best marketing agent for his or her book.

Long gone are the days when a publisher would run an elaborate marketing program for each book he produces. Today’s authors, whether traditionally published or self-published, must promote his or her own books. Sure, you can hire a marketing company or a publicist. But this does not absolve you from the task of book promotion. In fact, you’ll be busier than ever meeting your public, doing interviews, producing articles, maintaining a blog and so forth.

I’ve written numerous articles and entire books on the topic of book promotion and marketing over the years. And I maintain that promotion begins before the book is ever written.

Why? How can you promote a book before it is a book? By choosing a topic or genre that actually has an audience…by bringing out a book that is wanted/needed.

So the first thing I did for the sake of my book series success was to research the genre. I wanted to know what else is out there like this book. Is this a popular genre? Who makes up my audience—my readers? How many are there? Where do I find them and how do I approach them?

You see, unlike many—I venture to say most—authors of fiction or nonfiction, these questions do not enter their minds and this fact is a huge detriment to their success. So before I decided to publish, I had my ducks in a row. I knew where I would take the project and how I would promote it.

Note: Of course, this is not to say that was the end of the marketing story. Oh no. When you make the commitment to produce a book, you are in it for the long-haul—or for as long as you want the book to sell. You’re always promoting, seeking new avenues of promotion, pursuing proven activities and so forth.

However, what works for me might not work for you. The marketing tactics I used for my books on publishing and book promotion won’t be right for marketing my Klepto Cat Mystery series. So how does one discover the activities that will work for his particular book? Here’s my checklist:

I listen to other authors of books in this genre, watch them, and even spy on them. For example, I visit the websites and blog sites of cozy mystery authors and authors of cat story books. I read their blog posts, check out their give-away programs, discover what add-ons they’re selling or using as enticement to generate sales, and I read their media material. Where are they speaking/signing books? Who has reviewed their books? What organizations are they affiliated with? What activities are they involved in? I adopt and adapt those tactics that can work for me and for my series.

One of my most important decisions related to the Klepto Cat Mystery series was to sign up for the Kindle Direct Publishing program. They offer several ways for their authors to reach their readers. If Amazon sees that you are promoting your books—you’re getting a lot of interest and numerous reviews are being posted—they will include your books in their promotional emails. I believe that Amazon has been a real boon to my sales. But this is not the case for every author and every book. It appears that those who devour novels love the convenience of reading them on their Kindles and other reading devices. If you’re producing a nonfiction book, however, you may not (probably will not) experience the same success as I am with my mystery series.

As a published author, you are always in promotion mode. Every choice you make with regard to your book project should be with your audience in mind, and this goes for the writing process as well. In fact, I’m going to try winding this up tomorrow, although I’m having fun and enjoying the reflection, so I may go on and on.

Tomorrow, we’ll talk about specifics when it comes to writing a book of fiction for publications. The theme will be to think about your audience while you’re writing. I’ve edited many-a-novel where the author leaves the reader out in the cold—confused. I maintain that this will occur less often when the author puts him/herself in the reader’s shoes from day one. We mustn’t second-guess our audience. Although, we don’t want to write too simplistic, either. Particularly with cozy mysteries, the reader expects an easy read, but he/she also craves something to do—to think about. While you should create a story that’s easy to follow, don’t do the thinking for your readers. It can be a fine line—and something we’ll talk about tomorrow. I will also share some anecdotes featuring my experiences with this mystery series—how I develop an action scene, how I develop a cat’s personality and so forth.

In the meantime, read all 5 segments of My Story, beginning January 6, 2015. Learn how I became a published author. Discover what prompted my reputation as a key player in the publishing arena. Find out what inspired me to shift gears completely and start writing fiction—the Klepto Cat Mystery series, in particular—and why they’re selling so well. If you have any questions or comments along the way, please direct them to me at PLFry620@yahoo.com. Or leave a comment here. To see all 5 entries, go to http://www.matilijapress.com/catscapades

In the meantime, check out my Klepto Cat Mystery series—now eight books strong—here: http://amzn.to/1kAI8I2

 

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My Story—The Birth of a Book Series

Katy

Katy

This is part 4 of My Story. Read parts 1-3 here at this blog site starting January 6, 2015

Yesterday, I left you with my decision to try writing fiction…but what would my storyline be? I knew I’d write about cats and create a cozy mystery, but I was stymied beyond that.

In 2010, I’d produced a book of cat stories. Catscapades, True Cat Tales was a collection of amusing and touching stories—all true. While researching for that book, I came across the concept of the kleptomaniac cat—also known as a cat burglar. These are cats who go out at night and bring home anything that interests them and that they can carry—bathing-suits, toys, jewelry, flip-flops, t-shirts, etc. This concept fascinated me and I decided to feature a kleptomaniac cat in my stories.

But what if the things he “found” were actually meaningful in some way? Yeah! Some of them could be clues in crimes—a certain brand of cigarettes left behind at a murder scene, a business card with an important address jotted on it, a bloody bandana, and so forth. This cat might be a Columbo in fur—a feline Sherlock Holmes.

Research revealed that readers don’t care much for cats who talk, so I knew I had to create a real cat character with some unique and interesting qualities, quirks, and habits.

About the same time, my mother acquired a half-grown kitten. She had hoped for a lovely lap cat who kept her company inside where it’s safer for cats. Instead, Smokey quickly expressed his true colors as a macho, confident cat who needed to—I mean needed to—have access to the great outdoors. He’s an adventurous soul with a mind and an agenda of his own. And he’s also a lap cat on his own terms. He doesn’t curl up—he sprawls out. He’s a comedian, he’s clever, and he’s a bit high maintenance. The cat in my book series, Ragsdale (aka Rags) is Smokey.

The first story came to me quite quickly. One of my daughters had told me about a mystery occurring in her home town. Cats were going missing. She actually saw someone come up on her porch and take off with one of her cats. She ran after him and he dropped the cat. But it wasn’t long after, that another one of her cats went missing. They suspected a rancher in the canyon of hiring people to bring him cats to use as mousers. A group of women talked about setting up a surveillance team to spy on the suspected catnapper. That would be the theme for the first in my Klepto Cat Mystery series.

Now how did I create the human characters? As I recall, they sort of developed as the story developed. A young veterinary school graduate, still working as a vet tech and volunteering at an animal shelter, was recuperating from a bad break-up when her favorite aunt, a crusty, outspoken woman, broke her foot and needed help. Savannah Jordan, seeking a change of scenery, packed a bag and her cat, Rags, and headed for her hometown of Hammond in Northern California, to help her Aunt Margaret.

Of course, Rags starts getting into trouble right off the bat. And Savannah gets involved in Margaret’s organization, the Hammond Cat Alliance, as they attempt to locate the cats that have been going missing.

It may be my natural Gemini twin thing, but I tend to introduce story plots in pairs. In this story, it’s revealed that Aunt Margaret’s injury might not have been an accident when the two women start experiencing near misses. And what is a mystery without a little romance, so I threw a steaming hot, single veterinarian into the mix. Woo-la, there I had my main characters.

I have to tell you, I was having so much fun writing this story and watching it develop right before my eyes. I never wanted it to end. But if you are to be published, ending the book is a must. Now what? Would I pursue a publisher or publish the book through my own publishing company?

I’d been hearing stories from colleagues about their successes with their first novels through the Kindle Direct Publishing program at Amazon. “What a great—safe—way to break in,” I thought. Turns out, it was the purrfect way to introduce a novel by an unknown (in the fiction field) to a brand new audience. Novel-readers read books on their Kindles.

Right away, my first novel was selling. It was getting good reviews. I was ecstatic!

I was also quite surprised when I was able to come up with a plot for my second book in the series…and the third, fourth… I just finished writing the ninth in the Klepto Cat Mystery series. It is with my proofreader now. I’ve managed to publish 8 books in 18 months. And they are selling like crazy. I’m selling over 2,500 per month and have been consistently. Not only do we have all 8 books in the series formatted for Kindle, the first four are also in print.

So what makes these books popular? What is my role in their success? That will be our hot topic for tomorrow—January 10.

In the meantime, read all 4 segments of My Story, beginning January 6, 2015. Learn how I became a published author. Discover what prompted my reputation as a key player in the publishing arena. Find out what inspired me to shift gears completely and start writing fiction—the Klepto Cat Mystery series, in particular—and why they’re selling so well. In the 6th segment, I will share some anecdotes featuring my experiences with this mystery series—how I develop an action scene, how I develop a cat’s personality and so forth.

If you have any questions or comments along the way, please direct them to me at PLFry620@yahoo.com. Or leave a comment here.

In the meantime, check out my Klepto Cat Mystery series—now eight books strong—here: http://amzn.to/1kAI8I2

 

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My Story as a Publishing Industry “Maven”

Max and Lily Sharing Space

Max and Lily Sharing Space

For the next fifteen years, still with an array of cats at my side, in my office, on my lap, dancing on the keyboard…I embedded myself in the world of publishing as a teacher, workshop leader, speaker, and consultant. I studied constantly to keep up with the ever-changing industry. I collected resources. I attended and spoke at major writing/publishing conferences throughout the U.S. (San Francisco, Dallas, Los Angeles, St. Louis, New York, etc.). And I wrote nearly two dozen books and hundreds and hundreds of articles for authors. I became the President and then Executive Director of SPAWN (Small Publishers, Artists and Writers Network) and I wrote around 100 issues of the meaty monthly SPAWN Market Update. I also established my publishing blog which I posted to daily for several years.

I was the go-to person for many countless authors who were starting out or struggling in the hugely competitive, out-of-control world of publishing. I remember reading years ago that some 80 percent of people felt they had a book in them. Well, this was the era when the majority of them began writing that book on their new-fangled home computers.

Numbers of printers, businesspeople, and others from a wide variety of professions and backgrounds, began establishing publishing-related businesses, such as publishing, editorial, and book marketing services. There had always been vanity publishers—those who would produce your book for a fee. But by the year 2004, there were around 100 of these hybrid publishing services designed to help legitimate authors as well as those with sub-standard book projects to become published.

My goal during those years and the purpose of SPAWN was to educate authors so they made the best decisions on behalf of their publishing projects. The thing is, many countless hopeful authors were entering into the publishing arena unknowingly bent on failure because they were uninformed. They didn’t understand enough about the industry to make the best decisions. So the failure rate for authors rose and continues to rise considerably. I read recently that this failure rate has risen from around 76 percent to 93 percent.

During this seventeen year span, I also had the pleasure of editing dozens and dozens of books both nonfiction and fiction. Now, I’d never been much for reading fiction and I certainly had no desire to write fiction. From the beginning of my writing/publishing path, I’ve been all about nonfiction—“give me the facts, ma’am.” My reading choices were informational books and newsletters related to a topic of my interest—in those days, mostly publishing and book marketing. I read true stories about cats, biographies, how-tos, historicals… And then an author brought me a novel.

I intended recommending another editor, because I did not edit fiction. However, when I took a look at this story, I was somehow drawn in. I saw immediately some of the problems with the way it was written and knew somehow instinctively how to remedy them. I discovered that I actually had an eye for fiction and a knack for editing it. My biggest surprise was how much I enjoyed the editing process for fiction.

So my editorial shingle became a welcome mat for novelists as well as nonfiction writers and I edited numbers of them during that period. I even started reading fiction!

Throughout my career, I’d say, “Someday I’m going to try writing fiction.” But I didn’t take myself seriously…until my birthday in June of 2012.

I’ve learned throughout my relatively long life the importance of honoring oneself. I’ve taken this lesson to heart. To this day, I find some significant way of celebrating myself on my birthdays. A memorable example of this is the year I found a litter of feral kittens in our woodshed. What a joy-filled gift that was. Max, the only boy in the litter, is taking up my lap as I type this. He’s a beautiful snow-shoe-type sixteen year-old now.

So let’s go back to my birthday in June of 2012. That’s the day I decided to give myself the time and space to try writing a book of fiction. Deciding on the storyline took a little while. I knew it would involve cats and I was pretty sure I wanted to write a light mystery. I’d been reading light mysteries. That’s how I would describe them. Come to find out, these books I’d been reading on my Kindle fit into a bona-fide genre. They are considered cozy mysteries. That’s what I wanted to write. But how would I go about it? How would I develop a story? What theme would I pursue? It’ll be a mystery and there’s a cat in it—then what? How would I make my book unique and still fit into the genre?

How, indeed? Watch for additional segments to this story, which began January 6, 2015. Learn how I became a published author. Discover what prompted my reputation as a key player in the publishing arena. Find out what inspired me to shift gears completely and start writing fiction—the Klepto Cat Mystery series, in particular—and why they’re selling so well.

If you have any questions or comments along the way, please direct them to me at PLFry620@yahoo.com. Or leave a comment here.

In the meantime, check out my Klepto Cat Mystery series—now eight books strong—here: http://amzn.to/1kAI8I2

Posted in Cats and Writers, Writing about cats | Leave a comment

My Story–The Ups and Downs of Life as a Journalist

Smokey, AKA the Klepto Cat

Smokey, AKA the Klepto Cat

Thank you for following my story. I’ve enjoyed bringing it to you. To continue…

As you may know you can’t make a living as a freelance writer—or so you’ve been told and you’ve read and many of you have even learned first-hand. I’m glad I didn’t listen to naysayers; I might have ended up working in the corporate world, living the dreams of others, dreading the coming of each workday dawn when I had to leave my cats behind and trudge off to a cubicle.

Instead, I eagerly faced each day—so much so that still, I find it difficult to wait for dawn to start my work. Often, you’ll find me tapping away at the computer with a cat on my lap hours before daylight, excited to tackle a new chapter, revamp a scene, or pursue a fresh avenue of promotion for one of my books. And it has been that way throughout my writing career.

People ask me how I came up with ideas for the hundreds (maybe thousands) of articles I’ve written. I tell them, it’s a matter of being aware. There are stories and articles in your thoughts, in the queries and actions of others, in your interactions and observances, in what you read and hear. It’s simply a matter of paying attention. Once you have a snippet of an idea or a wisp of a topic, you can tweak, sculpt, and massage it into something useful or entertaining.

Some of my most memorable story-discovery experiences occurred quite by chance. While visiting the Denver Zoo, I happened upon an unusual cat called a Pallas cat. I was intrigued and thought the editors of Cats Magazine might be, too. They responded almost immediately to my snail mail query (remember, this was in the 1970s-80s). “Yes, bring us a story with photos.” So I returned to Denver and got permission to go inside the cage with the cats before hours and photograph the shy and beautiful Pallas cat. Now that was a thrill! Because of my “journalist” status, I was invited behind the scenes of many interesting sites and became up close and personal with some fascinating individuals. It was because of my numerous articles appearing in The Toastmaster Magazine that I was invited, all expenses paid, to Dubai as the keynote speaker for their Toastmaster Convention in 1996.

I seemed to have a knack for creating a viable article from a germ of an idea, and I got a lot of attention from magazine editors. Thus, I became an expert on many topics. You see, once you’ve written about something, you’re considered, by some, an expert. If you so choose, you can use this expertise to land additional assignments, a publishing contract, speaking engagements and so forth. But still, it’s rare when someone seeks you out. Still, you, the writer, must pound the pavement, beat the bushes, and continue to woo the editors with your grand ideas. A freelance article-writer is constantly pitching, which means he or she must constantly create. First comes the idea, then the slant. Then comes the tricky part: You must approach the right editor for the right magazine at the right time with the right pitch. It’s easier to get the acceptance if you have a reputation for being reliable and pliable (easy to work with), but even this doesn’t guarantee a contract. A freelance article-writer must have her fingers in many pies in order to keep the money train coming her way.

Early in my career path, I made a decision that gave me an unexpected boost. I landed a job as a stringer for a very small local newspaper. What a gift. I created a business column. Not only did I get tremendous experience interviewing people, but I learned how to meet strict deadlines and word-count requirements. AND I was meeting people with great stories appropriate for some of the magazines I was writing for.

By 1998, I’d been writing for publication for twenty-five years. I had maybe a dozen books to my credit and my own publishing company. Yes, I established Matilija Press in 1983 before it was fashionable or even convenient. My books ranged in topic from horsemanship to local history to grandparenting to a metaphysical adventure and even how to present a Hawaiian luau on the mainland. I continued to write about what I knew or was interested enough in to research. Late in the 1990s, people started seeking me out as an expert in the publishing field. I hadn’t thought of myself as an expert in anything—I was simply doing what I love—following my passion. I was stunned to realize that I had answers—credible answers—to the questions hopeful writers and authors were bringing me. And it felt really good to be able to help those who were serious about their own writing/publishing careers.

That was another of three major turning points for me. To be continued…

Watch for additional segments to this story, which began January 6, 2015. Learn how I became a published author. Discover what prompted my reputation as a key player in the publishing arena. Find out what inspired me to shift gears completely and start writing fiction—the Klepto Cat Mystery series, in particular—and why they’re selling so well.

If you have any questions along the way, please direct them to me at PLFry620@yahoo.com. You can now leave your comments here, as well.

 

 

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